![]() ![]() We'll see in the future if they need those 6K masters for any reason, but if you're wondering why you'd want to shoot in 6K in the first place, when you've got cameras that have just one sensor, each pixel can only represent one color. Video is no longer available: Considering Netflix is already spending millions per episode and they've got pretty deep pockets, it makes sense to have a full 6K version that they can do whatever they want with later on. Here's the trailer for Season 3, which if you haven't seen the previous two seasons, might spoil things a tiny bit: One of the benefits to shooting on RED is that the compressed RAW format saves a ton of space, but for the masters they are going back to uncompressed DPX, which means your master file sizes are much higher than they would be for camera original files. The representatives from Encore evaded specific questions about the House of Cards budget, only offering that it didn’t charge a premium compared with last season, which was already being finished in 5K to create a 4K Netflix master. Since 4K is four times as much picture information as HD and 6K is even greater, post houses generally say the cost increases for 4K primarily surround data storage. Colorist Laura Jans-Fazio graded the series using FilmLight's Baselight system.Įncore claimed it created 6K archive masters that were roughly 5.5TB for each one-hour episode, as well as a 4K version, roughly 2.5TB per one-hour episode, which was delivered to Netflix. “We mixed the native camera files and uncompressed 6K files … and conformed in Flame, staying as native as possible," says Strauss. While the show is just starting to experiment with streaming in Ultra HD (3840 x 2160), since they shot on the RED EPIC DRAGON in 6K, they were able to create 6K masters of the show (in addition to 4K masters).Įncore in Hollywood handled the post-production for Season 3: Netflix's House of Cards, which just aired its third season, has been shooting on RED since the beginning. ![]()
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